
Gramophone sculpture
Reclaimed metal shaped into a one-off mechanical form.
One-off objects made from reclaimed metal, vintage tools and distinctive Tasmanian timber. Each piece carries a little of where it came from.
Material with a past / work with a futureTables, sculptural objects and smaller timber pieces are shown here as examples of my work. Some are available, some have sold, and a few are keepers, so availability may change. Every piece is individually made, so no two will ever be exactly alike. I may also be able to make a one-off piece if you’re looking for something unique.

Reclaimed metal shaped into a one-off mechanical form.

Movement and machinery brought together in steel.

A playful creature assembled from old mechanical pieces.

A sculptural seat with a working past still visible.

A small, carefully made piece in Tasmanian Huon pine.

Industrial materials remade as a familiar coastal form.

Mechanical details reworked into a one-off piece.

Tasmanian myrtle coasters with Huon pine mushroom inlays.

A working lamp and locomotive sculpture in one mechanical piece.

A solid timber top set into a hand-built steel frame.

Natural timber, reclaimed metal and a warm candle glow.

A vintage seat reborn as a sculptural workshop stool.

Hand-shaped timber and a suspended anchor form.

Warm timber set among reclaimed industrial gears.

A one-off coffee table made from reclaimed steel with a reclaimed Tasmanian myrtle top.

Hand-shaped from Tasmanian she-oak, retaining the natural bark and cracks as part of the finished piece.

Reclaimed gears and metal shaped into an expressive fish.

A stool top assembled from a dense mosaic of old spanners.

A long-wheelbase drag racer built from reclaimed steel and mechanical parts.

A fanciful flying-machine sculpture built from salvaged metal and vintage components.

Warm Huon Pine, shaped to celebrate its grain, dark natural lines and movement.

Reclaimed steel, spanners and mechanical parts brought together in a one-off bench.

A low reclaimed-steel table built around a dense mosaic of old tools and bearings.

A working lamp assembled from reclaimed steel, gauges and vintage mechanical parts.

A compact character built from bolts, a vintage lamp and assorted reclaimed parts.

Old tools and steel offcuts reshaped into a large mechanical scorpion.

Reclaimed timber set on a pair of vintage mechanical jacks, giving the table plenty of its original workshop character.

Hand-shaped spreaders made from a range of Tasmanian timbers, each engraved with a thylacine motif.

Hand-shaped Tasmanian myrtle cheeseboards, each finished to show the natural grain and featuring a thylacine detail.

A playful mechanical creature assembled from chain, bearings, springs and reclaimed steel.

A simple Tasmanian blackwood bowl shaped with a Spheroplane, ideal for keys, coins or other small everyday items.

A playful one-off figure made from reclaimed forks, spoons and old cutlery.

Huon pine pieces with thylacine details, suspended on fine copper wire from an old railway dog spike.

A simple ornamental yin yang form shaped from Huon pine, made to highlight the timber’s natural grain.

Live-edge Huon pine coasters, each showing the natural grain and engraved with a thylacine motif.

Hand-shaped Tasmanian myrtle spreaders made for cheese, dips and other small serving jobs.
Many of these creations are currently on display in Strahan, Tasmania. Ask for details.
Based in north-west Tasmania, Paul Ledger creates a wide range of sculptures, curios and one-off pieces from reclaimed steel, old mechanical parts and distinctive Tasmanian timbers, including Huon pine, myrtle, celery top pine and reclaimed hardwoods.
A worn spanner, a piece of machinery or an old fence post can suggest the shape of the next piece. I like to keep something of its earlier life visible in the finished work.
Some of my photography, illustrations and graphic work are available through Redbubble, with selected Tasmanian photography and stock footage available through Adobe Stock.
Ask about a piece, its availability, or an idea you have in mind. Include the work’s name so I know which one you mean.
Send an enquiry